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To get more info about the film, email us at info@picturesthis.ca Thanks for accompanying Vivian, her family and the production team on this incredible journey.Twitter
- NEWS: Russia's parliament votes to ban adoption by married foreign gays: wapo.st/17jXr2k via @washingtonpost 14 hours ago
- China bans private adoption of abandoned babies: bit.ly/11lPaGw 14 hours ago
- Eye opening piece about The Dangers of Blogging During an International #adoption bit.ly/12EBrMs via @MLJadoptions 1 day ago
Tag Archives: Shanghai
TWO FUNDRAISING SCREENINGS! Oregon/ SW Washington and Shanghai screen our film
We’re excited that some groups in the US and even China are starting to organize fundraising screenings featuring our documentary! The most recent two are raising money for a Families with Children from China (FCC) and surgery for a child … Continue reading
Co-Directing Across Two Continents – Now It’s the Chinese Crew’s Turn
On the morning of Sunday August 9th, Toronto cameraman, James Klopko, filmed Vivian and her father Hubert’s last hours with Vivian’s mother, Eve. They stuffed some final items into suitcases and drove to Pearson airport. It was an emotional goodbye … Continue reading
Tagged adoption, airport, Changfu Chang, China, Documentary, expo, film, footage, Maureen Marovitch, Orphanage, production, Shanghai, travel, visit
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Hey everyone it’s Vivian!
I am really excited for my upcoming trip to China!! Like you have no idea, words can’t explain how I’m feeling. Right now, my family and I are just settling dates and other important stuff for the trip. I am most … Continue reading
Posted in Journal Entries
Tagged Baby, China, Family, Jiujiang, Orphanage, Shanghai, Trip
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The Invisible Red Thread is made possible with 100% funding from the OMNI Television Independent Producers Initiative. The $32.5 million fund is a seven-year commitment created and made available for the independent production of third-language ethnocultural programming. The fund is not only dedicated to helping Canadian independent producers tell their stories in their language of comfort, but also to make sure that these stories are accessible to other ethnocultural communities through re-versioning in different languages. This is the industry’s first, and only, major source of funding for the independent production of non-official language programming. More details on the fund are at OMNI Television’s website